Park Eun Bin Reportedly to Get 300 Million Won Per Episode for Her Next K-drama Hyper Knife Setting New Record

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• There was another article saying the salary of certains actors was too much for some channels. I think it becomes complicated for public channels, they can't compete with streming platforms like Netflix or Disney+.

  But I'm happy that PEB is being recognized for her talent!

  • Yep. PEB is multi-talented, multi-dimensional. The diversity of her talent is INSANE! Top excellence in acting, dancing, singing. Plays the piano, violin, guitar, drums, flute, etc. Paints, draws. Kind, caring, beautiful, intelligent, humble. She does not have to show her private parts. She just relies on her raw talent.

  • She should be paid more than 300 Million KRW. She is WORTH EVERY DAMN PENNY!
    But I think if HyperKnife is shown on Netflix or Disney. It will still be shown on Korean channels. And the channels don't pay for the actors' salary. The Production Company pays for the actor's salary. Maybe, that is what you mean? In fact, the channels will WELCOME any Park Eun Bin show because it brings in a lot of advertising money. That is how influential she is.

• I just know I'm watching whatever she acts in. She has my trust when it comes to picking solid dramas.

  • Yes sir!

• I'm not exactly a fan of her, but I'm very happy to see someone who's actually talented and doesn't rely on looks or popularity rise to A-listdom. I feel the same with Shin Hye Sun

  • Yes. PEB is multi-talented, multi-dimensional. The diversity of her talent is INSANE! Top excellence in acting, dancing, singing. Plays the piano, violin, guitar, drums, flute, etc. Paints, draws. Kind, caring, beautiful, intelligent, humble. She does not have to show her private parts. She just relies on her raw talent.

• If she can demand any more it would be now after 1 huge hit and another okay drama. We all know that valuation will go down when you are irrelevant, so she'll have to be selective now w/ her projects.

  • I think you are mistaken. She has had many previous hits and many previous awards. You probably ONLY saw Extraordinary Attorney Woo on Netflix. One that won an Emmmy award was The King's Affection wherein she is the Main Lead. She has been acting since she was 5 y/o. And she has not stopped, nor has been irrelevant for 26 years. If you have not been irrelevant after 26 years, I think she won't be in the near future.
    PEB is multi-talented, multi-dimensional. The diversity of her talent is INSANE! Top excellence in acting, dancing, singing. Plays the piano, violin, guitar, drums, flute, etc. Paints, draws. Kind, caring, beautiful, intelligent, humble. She does not have to show her private parts. She just relies on her raw talent.

• She acts, she delivers, and she sings.

  Worth every penny probably.

  • PEB is multi-talented, multi-dimensional. The diversity of her talent is INSANE! Top excellence in acting, dancing, singing. Plays the piano, violin, guitar, drums, flute, etc. Paints, draws. Kind, caring, beautiful, intelligent, humble. She does not have to show her private parts. She just relies on her raw talent.

  • And dances, too! Plays many instruments like the piano, violin, guitar, drums, flute, etc. Multi-talented. Multi-dimensional.

• She acts, she delivers and she even sings.
  And she doesn't bank on conventional eye candy looks to get her delivery through

  Worth every penny they pay out.

  • PEB is multi-talented, multi-dimensional. The diversity of her talent is INSANE! Top excellence in acting, dancing, singing. Plays the piano, violin, guitar, drums, flute, etc. Paints, draws. Kind, caring, beautiful, intelligent, humble. She does not have to show her private parts. She just relies on her raw talent.

• This is a challenging project from the sound of things so it’s good for her to take on (irrespective of eventual quality) and also a project that should pay more considering the potential complexity.

  I don’t really care for talks about how much someone makes. KSH also gets articles like these often. In the end, a production pays for what they think it’s work. Who cares as long as the final quality is good. I don’t care how much anyone makes other than if they are in my field of work.

• Although actors and actresses make too much as it is (supply and demand, I know), if this is true, she's one of those who earned her right to charge so much. She's always been a good actress and I'm happy she's finally getting the recognition she deserves.

• Is that a lot of money? Nope! From business perspectives not from ordinary folks' perspectives, the production must have calculated how much they can potentially profit by casting her as the FL. How many eps does the drama have? Taking 16 eps for example, that $225K USD offer sums up to $3.6 million USD. Many Western celebrities made way more than that for one public activity. And this salary is in the low-mid range of salary for NBA stars. So, why it's not legit for a top-notch Korean actress to make less than western celebrities given how Kdrama is profitable nowadays. The production must have done their estimate to consider it's worth an investment to pay her that much.

  Salaries paid to celebrities have never been any news jolting ppl in the West. Ppl know how business works. It's just part of economics that gets the free market work.

  • you cannot just think from a Western business perspective tho. $3.6 million USD might be peanuts for Hollywood/ NBA level, with their huge TV market and industry - but it probably makes a huge chunk of a Korean TV production budget. another article was talking about this exactly - local studios/ TV/ streaming services cannot compete with Netflix/ Disney/ Amazon money - it's quite apparent from the fact that many dramas nowadays in KBS, SBS, MBC not sponsored by Netflix or Disney+ are fronted by younger, less experienced actors who probably charge a fraction of the cost

    • Yes, I looked at this from western perspectives. I have no idea how drama production works in SK but just considered how popular and profitable nowadays K dramas are in the international market. In other words, I considered K drama internationalized already and therefore legit to compare actors' salaries with what their western counterparts earn in general.

  • yes your perspective works for a K-drama that is bankrolled by Netflix and Disney+ - not so much for dramas that are produced first domestically, then sold to international broadcasters. The following article actually talks about that disparity and how it is causing problems back home in Korea https://www.allkpop.com/article/2024/01/k-drama-industry-facing-a-crisis-as-actors-are-starting-to-demand-up-to-1-billion-krw-748000-usd-per-episode

    • This is interesting and informative. Thank you for sharing. If international streaming platforms threaten local productions of K dramas, yes, that may be something concerning. It's better to have a very diverse entertainment market than monopoly. If good actors are only attracted to big budget projects financed by Netflix or Disney+ etc., K drama may gradually gravitate towards producing products that cater for international fans only, which isn't necessarily good. Take the US for example, a lot of critically acclaimed films were indie, not coming out of secular Hollywood. Also, C-ent is prolly a bad example of low drama quality due to exorbitant pay actors demand, which might have left production teams with nearly empty pockets to cover good scripts, directing, and whatnot.

      Also, I observed some Netflix-sponsored K dramas aren't up my alley, not as appealing as some old Kdrama classics that I watched a few years ago regardless of genres. For example, Sweet Home, which I tried to watch but found too gross to my liking. Sweet Home is just like a very typical Western horror movie and the charm of K-thriller is completely missing in the series.

• I'll watch any of her dramas. Her acting speaks loud for her credibility and she has good eyes for interesting projects.