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Doppleganger Period Political Scheming C-drama Where the Mask Ends with Tian Xi Wei Garners Good Buzz Wihin First Week of Airing — 15 Comments

  1. Good buzz? She is garnering a lot of messages her acting is terrible. I am not sure that’s good buzz. He is not much better.

    But they sure are trying hard to sell that cp outside of the drama. Embarrassing af

  2. I’m glad this show is doing well. TXW’s cdazy acting is a little overboard for me, rest is fine. Though i would like to point, ATC wasn’t a revenge and plotting drama, infact it couldn’t be more far from it.

  3. ATC is anything BUT revenge and plotting. Gosh.. what a major big mis-representation. And ATC is bigger than all the dramas mentioned, PoJ, Early Spring, and even this drama Where the Mask Ends.. ATC is on a whole different playing field.. the only different being ATC is not on Netflix but that doesn’t make it not good. Netflix is just a streaming platform. It’s not a place to compare good or bad dramas. Not all good dramas are in Netflix.

    I tried watching Where the Mask Ends, but the first scene can see how bad TXW’s acting is. Just not on par with ATC’s casts.

    • AtC is perhaps more popular among Chinese-speaking audiences, while PoJ maintains greater popularity among international viewers. Social media discussions indicate that PoJ has a cohort of staunch, dedicated fans, many of whom are first-time Chinese drama viewers drawn to the genre specifically by this show. Without PoJ, it is unlikely that AtC would have captured such a large audience. In that sense, PoJ has made a much broader cultural impact for C-dramas globally, and its significant success should not be dismissed.

      • What nonsense are you talking about?
        You started by saying AtC is popular among Chinese speaking audience, while PoJ is popular among international audience.
        Then added ‘Without PoJ, it is unlikely for AtC to capture such large audience.’
        If AtC is popular amongst Chinese speaking audience whilst PoJ is popular with the non-Chinese international audience, then PoJ definitely have no influence whatsoever to AtC audience.
        PoJ is like level 1 beginners in c-drama. AtC is expert/ mature level up c-drama. They’re both not on the same level. It’s just like real authentic Chinese food (AtC) vs toned down to your taste buds introductory-level Chinese food (PoJ).

      • That’s just my take, but your argument is full of contradictions. I was simply stating the fact that PoJ has way more views outside of China than AtC. Do yourself a favor and look it up; Google and Gemini are right there if you need to educate yourself with accurate data. lol

  4. I’m watching it. Makjang or whatever the Chinese equivalent of that, is right. The one is a psycho with zero impulse control when the rage takes her and who surely would’ve been outcast by her family well before this story started. I mean, substituting someone else at a wedding is nothing compared to the shit she has done. As for the other, well, sorry but TXW is no Park Bo Young (Our unwritten Seoul) when it comes to playing 2 characters, aspects of the psycho seep in to the other one.

    Anyway, I’m enjoying the melodrama, it’s fast, no filler, the guy is very handsome and stronger looking than usual these days.

    Spoiler maybe but it seems they’re going ‘She’s not really a piss cleaning commoner’/Princess and the Pea trope. I’m not keen on it, kind of negates the whole equality thing with the Genes/she’s noble by birth, not an actual commoner, will ultimately come through.

  5. This show has such polarizing reviews, I might have to check it out to judge for myself. She’s a hit or miss for me. Liked her in POJ, didn’t like her in A New Life Begins. I’ll wait for this new drama to end and check out the reviews before deciding if I should watch.

  6. Echoing what others have said about Against the Current – it was not a revenge drama. I think people thought it would be based on the synopsis, but it’s pretty much anti-revenge and went with a Buddhist approach to being wronged.

    Where the Mask End is such delicious makjang with its wild makjang logic. The “nice poor girl” character – A’Chou- isn’t quite like your usual nice-poor-girl-with-smarts. She is more like Chen Du Ling in The Glory. it’s just that the actual psycho just makes her look a lot sweeter in comparison. TXW’s acting for the psycho was too OTT in the beginning where it makes you question how almost every character didn’t clock her weird psycho vibes. But it works now. She nails A’Chou’s soul-deep rejection of being expected to toil on the lowest rung of the socioeconomic ladder. Yan’an is just the Ken to TXW’s Barbie. He could be better, but his character also feels unimportant enough that his acting doesn’t matter as much.

  7. I normally like TXW but her portrayal of the evil “twin” is really over the top. I don’t know if it’s just this director’s style and he wanted her to be over the top? I actually realized I just really don’t like his dramas. I also didn’t love Ashes to Crown and The Glory. I know a lot of people liked the latter, but it just always felt so over the top for me. Anyway, might just wait for this one to end and then do a lot of skipping just to see what happens.

  8. Where the mask ends is such a disappointment and I dropped it in ep 4. The plot is so boring as well and while I never found tian xiwei an amazing actress, shes serviceable enough but god shes terrible here. The evil twin is so ott its like u csn see her acting, and she makes the supposed good twin super similar in her portrayal ans its just so weird. Sometimes I wonder which character im actually watching. Yan an is just…there. standing there and frowning. All the time.

  9. Where the Mask Ends leans heavily into fast-paced “makjang” logic, where the supporting female cast drives the conflict more than the leads. The narrative relies on the “Princess and the Pea” trope, which some viewers feel undermines the show’s equality themes by revealing the heroine isn’t actually a commoner. [Source: DramaReviews Article & Comments]

  10. Unlike Against the Current, which took an anti-revenge, Buddhist approach, Mask barrels forward with aggressive plotting and revenge tropes. However, commentators argue comparing them is flawed, as PoJ had a broader global impact while AtC dominated domestic Chinese platforms. [Source: DramaReviews Comments]I apologize for the confusion—my previous reply actually appears to be complete, ending with the third comment option and its source. There was no text cut off mid-sentence.

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