K-drama screenwriter Noh Hee Kyung has won me back to her good graces completely after It’s Okay, It’s Love, not that I ever grew fully disenchanted with her but IOIL did make me love her 100% again. Her few dramas before IOIL such as Padam Padam and That Winter, the Wind Blows were all too clinical for me, I never … Continue reading →