To the Beautiful You is determined to make me love it. First it casts Min Ho as quite possibly the most perfect Sano Izumi to date (looks and physique-wise, though acting isn’t that high of a bar to match up to since Wu Zun can’t act his way out of a paper bag and Oguri Shun strangely decided to barely … Continue reading →
I won’t even pretend that I care about the new guy idol group Cross Gene, or know any of the other members other than my baby boy, aside from knowing that if the group keeps getting more popular, I’ll keep getting more Shin Won Ho. Yay! This is totally like NEWS all over again, where I could care less who … Continue reading →
Jaw. Drop. The third teaser for Arang and the Magistrate is out and before I could deal with my excitement over the upcoming fantasy sageuk drama, I felt like I had my expectations upended. He can touch her. I repeat – Eun Oh the magistrate not only can see Arang, he can touch her. WHAT THE WHAT? Isn’t she a … Continue reading →
On my to-do list is catching up on Rich Man, Poor Woman recaps to align with the live airing, if only real life (you know- work, family, random emergencies) didn’t get in the way so much. Those of you who have watched episode 3 must be chomping at the bit to know how the cliffhanger moment unfurls in the next … Continue reading →
Ahhh, Song Joong Ki. What a great way to end a busy week with the first set of stills from Nice Guy, which is Song Joong Ki’s well-deserved first drama as the leading man that he so ably demonstrated over many dramas in the past four years that he’s capable of being. Which is why I think his little doppelganger … Continue reading →
When a drama I really loved finishes, I usually need a gradually weaning off of it. Such as rewatching choice scenes, and inevitably posting some more about it until I’m ready to put it to bed. So if you didn’t like Big, ignore me as usual unless you want to listen to me talk to myself (which might be amusing … Continue reading →
If episode 1 of Rich Man, Poor Woman was a solid beginning, then episode 2 proved it was capable of taking a solid set up and running with it. What’s great about RMPW is how it confidently toggles so many different elements all at once, like a juggler who expertly keeps our attention by the action on top that we … Continue reading →
The drama adaptation of Tong Hua’s Da Mo Yao recently wrapped production after four months of filming, with the cast filming the Chang An scenes first in Heng Dian and then moving to Xiang Shan to film the desert and Xi Yu sequences. At this point I’ve seen all the BTS stills, which are so thoroughly leaked that I’ve pretty … Continue reading →
I realized in saying that I liked the ending of Big (where Kyung Joon finds his way back to Da Ran as he promised and she believed he would), I didn’t make clear that the execution of the final scene was not my personal preference for how it should have been shown. I wanted desperately for Shin Won Ho‘s version of … Continue reading →
I think there is some cosmic drama in-joke somewhere that has resulted in me recapping Oguri Shun’s Rich Man, Poor Woman around the same time Korea’s remake of Hana Kimi is about to premiere. What will original J-flavor Sano Izumi think about his hoobae Min Ho trying on the high jumping champion facing a career bottleneck? I know what I … Continue reading →
I’ve been trying to wrap my mind around the huge chasm between those who love Big and those who hate it. Not that like or dislike could be validated either way, but perhaps one huge reason for why that exists is that Big as a visual story creates such a huge disconnect and from a production stand point certain things … Continue reading →
After seeing the first still of my precious Yoo Seung Ho in the character of the Celestial Emperor in Arang and the Magistrate, I am now sated and content to wait for the drama to arrive August 15th. Luckily there is a first peek at the Vega CF starring Yoo Seung Ho looking his patented combo of boyish and manly. … Continue reading →
I think this drama gets bonus points simply for daring to go balls-to-walls and calling a duck a duck. Instead of fancy titles for what is essentially the Cinderella story, we simply have Rich Man, Poor Woman, a story that could be summed up as “Japan does a K-drama, yo!” Korea’s attempts at remaking J-doramas have been all over the … Continue reading →