I don’t think any K-drama has fallen apart as hard and as hard to watch (because I love it so much) as SBS Fri-Sat sci-fi drama Alice. A dissertation could be written on it but that would be giving it too much credit, it’s like a beautiful building that is just a facade, with nothing on the other side. On … Continue reading →
Oh my god, hold my champagne. and you betcha I’m multi bottling for New Year’s 2021 much like using alcohol to ward off the evil spirits because hell nah is next year going to be suckier than this dumpster fire of 2020. On the entertainment front, 2021 will offer up its first bon bon in the form of the special … Continue reading →
I’m totally neutral here because I’ve never finished beyond like 10 minutes of her dramas but this is a really awkward article to be featured in. K-actress Shin Ye Eun has been written up in K-ent this week for being in the position of having three mega flop drops in a row. Going from most recent backwards: More Than Friends … Continue reading →
There is just one more month left to lock in the viewership on Netflix for the shows streaming on the platform and the first year there was tracking on Flixpatrol. I’m hoping a K-drama remains in the top 20 and if it stays strong for the next four weeks that will be It’s Okay to Not be Okay in the … Continue reading →
I haven’t checked in on the weekly Good Data rankings on the television side for a few months, during the fall it was basically unchanged from Record of Youth and Park Bo Gum topping the chart. Lots of new dramas have arrived since then so taking a fresh look it’s nice to see lots of new names on the list. … Continue reading →
There are two webtoon adaptations coming soon and I much prefer the gorgeous swoony vibe of Sunbae Please Don’t Put on that Lipstick over the slapstick silliness of True Beauty. It also helps that Ro Woon is freaking INSANE looking as the male lead of Sunbae, his height and combination of boldness and reserve totally makes the heart flutter. Won … Continue reading →
The APAN Awards are hosted by the Korean Entertainment Management Association since 2012 and this year they split it into Top 10 Artists (music) and then the Popularity Awards (music and acting). The ceremony was postponed due to COVID-10 but the winners were announced already. I only follow K-dramas so on the acting side the here are the winners: Kim … Continue reading →
Yay, I’m so so excited for another great Sat-Sun drama to nosh on during the upcoming holiday season! OCN premiered a new drama last weekend that was flying under my radar called The Uncanny Counter, adapted from the popular webtoon Amazing Rumor. Starring Jo Byung Gyu, Kim Se Jung, Yoo Jun Sang, and Yum Hye Ran, the drama centers around … Continue reading →
The feels remain so strong with the receding waves from jTBC drama The Light in Your Eyes (Dazzling), even now two years later and I still immediately think of Hye Ja and Joon Ha when I see Han Ji Min and Nam Joo Hyuk together. The two have been hitting the promo circuit this month for their movie Josee, the … Continue reading →
I really really loved Start-Up episode 14, surprising since it was a very slow episode on things happening but used the time to really give characters space to think, talk, and decide. Next week is the finale and I’m glad that not-a-love-triangle is finally done with, all that’s left is to see how and when Do San and Dal Mi … Continue reading →
I’m not surprised that K-actor Lee Jong Seok is already lining up acting roles prior to his military discharge but I am more interested in what drama he will pick first. He has selected his first movie and it will be a special appearance in The Witch 2 which is currently in pre-production. It’s the direct sequel to The Witch: … Continue reading →
I never thought there would be ANY possibility of records being set this year in the box office, any box office around the world, with COVID-19 either closing theaters, delaying movies, and keeping audiences at home. Japan has been doing a steady and solid job of keeping COVID-19 from hitting another wave and so has been rewarded with relative return … Continue reading →
I find screenwriter Park Hye Ryun always honest and consistent in her storytelling, there are no cheap tricks and she doesn’t pull lame feints. That’s why her romantic OTP is always my ship, even if she writes two compelling male leads as to elicit affection for both. It always come down to understanding that the preference is made by the … Continue reading →
